I won't talk more about the band or style but refer you to the real highlight on this album, 'L'annee noire' (the black year). This song is quite beautifully written (lyrics by Jacques Savoie with music from the singer, Isabelle Roy) and stands with the best songs from Connivence and french-speaking Canadian folk-rock.
"I read in an old book
the name of a child born much too young.
It happened in 1794...
She was born in the black winter
that was so hard,
no one thought they would survive...
She never knew that life
could have some good times,
The best that she ever knew...
was to go to sleep one time for good
to a lullaby that her mother
still had the heart to sing to her."
Wow, what fabulous lyrics, and I said earlier, completely lacking in irony as typical of this era. Note the beautiful sustained violin background notes adding that note of pathos to the piano. On these vinyl rips the sound of the grand piano is so full, warm and gorgeous, I defy anyone to bring me a CD that sounds the same.
I should also point out the first track of side 2, Mutinerie (referring again to the annoying story behind namesake Beausoleil Broussard) which is a three-part suite, starting with another beautiful lullaby-like piece by Isabelle Roy, moving into folk jig territory, before evoking the wave-like feeling of 3/4 on piano arpeggios in the end and some gorgeous three-part harmony vocals on Isabelle's part. The little instrumental song "Pif et caribou" again is highly reminiscent of Connivence or L'engoulevent, wordless singing on some very nice minor chord changes, musique by Claude Fournier.
Mention must be made unfortunately of the cover wherein we can again laugh at the hairstyles of the seventies-- sadly, the haircut beautiful Isabelle Roy got was all too fashionable at the time.